From classic studs to chandelier designs — each pair crafted to frame the face with brilliance.
Round brilliants sit in four-prong baskets, close to the ear — two small mornings, worn where the light first touches the face.
Princess-cut studs stand in V-prongs, square and unafraid — a little architecture at the ear, modern as a clean line drawn in light.
A pear-shaped diamond drops from a smaller stone above it, both ringed in pavé — two falls of light, one on each side of the face.
Four petals of diamonds meet at a single center — small enough to forget you are wearing them, bright enough that no one else will.
A full circle of pavé diamonds, set inside and out — the classic hoop, rewritten so that every angle has something to give back.
An oval diamond sits flush inside a smooth bezel of white gold — no prongs to catch on anything, nothing to interrupt the outline.
A floral cluster opens at the ear, a center stone ringed by petal-set diamonds — a small garden, worn, that never wilts.
Double halos encircle each stud in graduated pavé — light upon light, as if the earring had learned to echo itself.
Lever-backs hold round brilliants that dangle and turn — secure, certain, and quietly alive, like laughter you can almost hear.
A heart drawn in a single unbroken line of pavé diamonds, small and certain against the lobe — the whole shape, and nothing inside it.
A small cross of diamonds, set on a stud so it sits close to the ear — worn daily, the way some words are.
A matched pair of round brilliants, held in four slender prongs so that almost nothing stands between the stone and the light it was cut to return.
Three-prong martini settings tip each stone toward the light for maximum return — diamonds poured like a last, bright toast.